From fashion designers to painters, to furniture makers and beyond, over 70 creative individuals use the building every week to harness their creative abilities.
Lorna’s designs evolve as a direct response to the screen-printing process. She enjoys working intuitively with a variety of imagery; layering, covering up and revealing is the core element of her practice. After working in interiors, fashion/costume for many years her imagery often has traces of these recurrent influences as well as the natural environment. She works directly from source, drawing and re-drawing images exploring a variety of media and deliberately changing the line, tone and mark making qualities of the drawing. She often combines photographic elements. “My overarching interest is in the surface pattern and rhythm, the spaces between the imagery and the colour palette”. Working with opaque and transparent ink gives her control of which areas to reveal or cover up. By overprinting, masking areas to reveal the previous images, she builds up a layered history of each moment.
Lorna has carried out commissions of hand-printed textile lengths, panels and wallpaper for events, parties and window displays. She has collaborated with other designers who require specific fabric prints for furniture, fashion and costume. She is currently developing her range of interior products under the design label, Blessed Unrest.
Cro + Kow is the joint creative space of photographers Sylwia Kowalczyk and Simon Crofts. We are based at Summerhall in Edinburgh, Scotland.
Sylwia studied photography at the Krakow Academy of Fine Art and Edinburgh College of Art, and Simon studied law at Oxford. We have a wide range of editorial, commercial and publishing clients, and we are also working constantly on our personal photo projects. More of Sylwia’s personal work is at sylwiakowalczyk.com, and Simon’s is at simoncroftsphoto.com.
We are available for photography assignments, whether in Scotland or abroad. Outside Scotland, we have a particular speciality of assignments to Ukraine, Russia, Poland and other Eastern European and former Soviet countries. Apart from English we speak fluent Polish and Russian and reasonable French!
Edinburgh Ceramics Workshop is an open practice pottery dedicated to providing learning opportunities and practice space for people who are passionate about working with clay.
Our open studio allows you space and time to develop and refine your pottery practice.
Our members have a wide variety of aims and objectives from simply exploring a creative passion through clay to working towards building careers in the creative Industries as studio potters.
We work in partnership with Edinburgh design school who teach our pottery courses, classes and workshops. Edinburgh design school is an approved Scottish Qualifications Authority teaching centre offering a range of learning pathways from complete beginners to intermediate and advance level courses and workshops.
Ever since I was wee, I have always found joy in the visual order of things and organising my surroundings. For me, creating an artwork is like the excitement of moving into a new home and deciding where all your treasured objects belong.
I have a passionate fancy for all things geometric, fine liner pens, architecture, the colour swatch wall in the paint aisle, beach treasure combing, nostalgia, textiles and hygge-liness. My favourite way to get inspired is to wander around the glorious city of Edinburgh and take note of the beautiful details on my stroll.
As a perpetual worrier, I find the repetitive, orderly action of my process shooshes my mind and makes room for quiet concentration. I am naturally drawn to creating meticulous, intricate work which requires all my focus and as a result, slows down my breathing making my practice meditative and calming. Making art fulfils me not only in my desire to cram my life with beauty; it takes care of my wellbeing too!
After growing up in the Scottish Highlands and studying in Glasgow, I have settled as a freelancing visual artist in Edinburgh after studying Painting at Edinburgh College of Art where I developed my drawing style.
My current work explores and interprets languages of ornament from different cultures, places and periods in history. From my Edinburgh studio I create intricate and colourful ceramic objects that celebrate this fascination for ornament and pattern, using clay as a canvas on which to build richly drawn and layered surfaces of inlaid line, glaze colour and enamel decals.
Beyond the studio I develop projects and commissions that respond to people and places, using my interests as a platform from which to engage with new environments. This approach has lead to work in varied and sometimes unexpected settings, from an English Tudor banqueting room in Sheffield, to a country home on the Scottish Island of Raasay.
At Happy Retro we love colour and we love retro. There is nothing more satisfying than saving a sad piece of furniture and transforming it into a unique, colourful piece that will brighten up your interior.
Based in Edinburgh, we source mostly mid-century furniture, as it satisfies our love of minimal design and curves. We then get to work by handpainting unique, contemporary designs onto the furniture, creating bright happy pieces we hope you will love.
Helen Miles trained with mastercraftsmen in Greece who taught using traditional methods with a focus on Byzantine iconography. She later became interested in Roman mosaics and now makes contemporary pieces inspired by ancient designs.
Born in Glasgow in 1963, Helen studied English at Oxford University before moving to America and the Middle East to work as a journalist. It was in 2003 while living in Thessaloniki in Greece, a UNESCO city famous for its concentration of Byzantine churches, that she began to study mosaics in the Byzantine tradition. This led to an interest in Roman mosaics and her passion for them went on to become a full time profession.
Helen Miles is based in Edinburgh and specializes in using Greek stone and marble as well as Winkleman unglazed porcelain. Her aim is to preserve the simplicity and directness of early mosaics while producing works which suit the way we live now.